In 1940, Newman signed with Zanuck as general music director of Twentieth Century-Fox (TCF). He left UA in December 1938, and the following year he scored on a free-lance basis the enduring classics Gunga Din, The Hunchback of Notre Dame, Wuthering Heights, Beau Geste, and Drums Along the Mohawk. In 1936 he sponsored and produced the first complete recordings of Arnold Schoenberg's string quartets, with the Kolisch Quartet. He scored all of Zanuck's pictures at UA (1933 - 1935), three of which are classics of the first decade of talking pictures: The House of Rothschild (1934), Clive of India (1935), and Les Miserables (1935). Newman composed the music for all of Goldwyn's prestige pictures, including Street Scene (1931), Beloved Enemy (1936), Stella Dallas (1937), Dead End (1937), The Hurricane (1937), and Wuthering Heights (1939), in addition to serving as music director for the rest of the Eddie Cantor musicals and for The Goldwyn Follies, the film that Gershwin was working on at the time of his death. Of the many producers with whom he was involved at UA, the two who were most significant in shaping Newman's Hollywood career were Samuel Goldwyn and Darryl F. The film was a success, and he was appointed music director of UA, a post he held for almost nine years. Upon his arrival, Newman was told that production had been delayed he was then assigned to UA member Samuel Goldwyn, who was producing his first musical film, Whoopee, starring Eddie Cantor. Newman's Broadway work ended in February 1930, when, at the request of Irving Berlin, he was invited to Hollywood by United Artists (UA) to take over as music director for Berlin's forthcoming film, Reaching for the Moon. He made his first appearance as a symphony conductor in 1926, when he was invited by Fritz Reiner to conduct a concert with the Cincinnati Symphony Orchestra. His Broadway credits include The Greenwich Village Follies and musical comedies by the Gershwins, Otto Harbach, Jerome Kern, and Rodgers and Hart. That show was a substantial hit, and Newman became one of the theater's most sought-after music directors. His breakthrough to success occurred when George Gershwin recommended him to the producer George White for the Scandals of 1920. In 1919, Newman began conducting musical comedy on his own, receiving attention as "the youngest musical director in the country, " but none of his shows made it to Broadway. Daly encouraged the young pianist to take up conducting and taught him the fundamentals of baton technique. ![]() ![]() Daly, who later became influential in the career of George Gershwin. He was befriended by the show's music director, William M. His first commercial jobs were in vaudeville and as accompanist to the popular comedienne Grace La Rue in the 19 runs of the revue Hitchy-Koo. Family financial and domestic troubles forced Newman to abandon the concert world for that of show business. ![]() His debut recital took place on November 5, 1916. Newman's talent was praised by Stojowski, Ferruccio Busoni, Frank Damrosch, and Ignace Paderewski (whom he met in 1916 but who never sponsored any of his concerts, contrary to the assertion in some Newman biographies). (age 69) New Haven, Connecticut, United States
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